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"Mr.
Busch is a first-class satirist and farceur."
-MIMI KRAMER, The New Yorker
William
Shakespeare had the Globe. Molière had the Palais-Royal. Chekhov had the Moscow
Art Theatre. And Charles Busch had the Limbo Lounge.
Working
with an extraordinary team of actors and designers, playing to a notoriously
tough house, Busch mastered his unique brand of comedy: the world, past and
present, as seen through the eyes of a star-struck devotée of Hollywood B
movies.
Theodora,
She-bitch of Byzantium,
adapted from a heroic tragedy by Victorien Sardou, is Busch's tongue-in-cheek
tribute to the divine Sarah Bernhardt, with a knowing nod to Cecil B. De Mille.
In
Times Square Angel, Irish O'Flanagan- once a sweet, scrappy street
kid, now a jaded burlesque queen-is rescued from a bitter end by an angel only
recently headlining on the Orpheum Circuit.
And
in Pardon My Inquisition, a martyr is made of a highly unlikely Spanish
spitfire, a virtuoso on the castanets.
As
an added value in this exclusive book club edition, Charles Busch provides, in a
running commentary throughout the three scripts, a hilarious glimpse into the
mad, mad world of Theatre-in-Limbo.
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The
Fireside Theatre Publication*
Jacket
Design by B.T. Whitehill
Cover photo by Andrew Schwartz
Theodora,
She-Bitch of Byzantium
Inspired
by Sardou’s “Theodora”, this one-act play tells the tale of the
Empress Theodora, a former circus performer, trapped in a loveless
marriage to the perverse Emperor Justinian. One night, masquerading as a
boy, she visits her old friend, Fata Morgana, the queen of the gypsies.
Fata gives Theodora a love potion to give to the pederastic emperor.
Unfortunately, she downs the cocktail herself and falls instantly in love
with Andreas, a handsome revolutionary who is plotting to kill her
husband. Andreas, of course, has no idea of her true identity. Tragedy
occurs when Andreas and his co-conspirator, Marcus, steal into the
palace to assassinate the Emperor. They are caught and tortured. Theodora
is caught helping their escape. There is a particularly sordid and
thrilling moment when Theodora tries to stab Marcus with her gold hair pin
to spare him the grotesque death he will receive at the hands of the
Emperor. By the end of the play, the entire cast lies dead with
Theodora , the last survivor, plunging a dagger into herself.
For
production inquiries, please contact Marc Glick, Glick and Weintraub, 1501
Broadway, suite 2401, NY, NY 10036.
Times
Square Angel
New
York, 1948. Irish O’Flanagan is the tough as nails, red-headed headliner
of the Club Intime. A lifetime of hard knocks has left her bitter and with
a chip on her shoulder the size of Mount Rushmore. In the spirit of
fantasies such as “A Christmas Carol”, “It’s a Wonderful Life" and
“The Bishop’s Wife”, an angel in the form of a sexy
vaudeville magician named Albert comes down to show Irish that the path
she’s been taking is leading her to disaster. He takes her on a journey
that reveals that in the next twenty-four hours, she’ll be killed in a
botched kidnapping of a corrupt senator’s beautiful daughter, Valerie,
engineered by the notorious gangster, Chick LaFountain. Irish rejects this
look into her future but when indeed everything comes to pass, she
desperately tries to no avail to change her fate. At the moment when Chick
LaFountain is about to shoot Irish for real, Albert makes a deal with the
Lord to save her life. However, his good deed must be an anonymous one.
Like Scrooge, Irish has a chance to begin again. She saves Valerie and
with the help of her devoted longtime admirer, a busboy named Eddie, and
her faithful maid, Peona, has Chick sent up the river. Irish and her
friends go caroling in Times Square, and for one brief moment, she
remembers the wonderful gift that Albert the angel has given her. He blows
her a kiss and she feels it against her cheek. Albert is able to
return to Heaven knowing Irish will be all right.
Stock
and amateur rights available through Samuel French, Inc. 45 West
25th Street, NY, NY 10010. For all other inquiries, contact Marc Glick,
Glick and Weintraub, 1501 Broadway, suite 2401, NY, NY 10036.
Pardon
My Inquisition or Kiss the Blood Off My Castanets
An
outrageous one-act comic melodrama set in Spain during the terrifying days
of the Inquisition. Maria Garbonza, a wild spitfire of a prostitute, is
madly in love with the soldier of fortune, Don Arturo. Unfortunately, he
is engaged in an illicit affair with her look-alike, the married
noblewoman, the Marquesa Del Drago. Maria, arranges for the Marquesa to be
arrested for adultery and sentenced to death by the Inquisition. When
Maria’s beloved younger brother is killed in a dual defending her honor,
she has a religious epiphany. In a plot twisted out of “A Tale of Two
Cities, Maria takes the Marquesa’s place in prison and goes to her death
with the nobility of a great lady.
All
inquiries should be made to Marc Glick, Glick and Weintraub, 1501
Broadway, suite 2401, New York, NY 10036
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Currently out of print
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